Hindemith’s friend and publisher, Willy Strecker, tried to derail the idea. He was delighted when Hindemith agreed to play it as his solo debut in England, with Walton conducting, at a Queen’s Hall concert on October 3, 1929. With financial assistance from poet Siegfried Sassoon, the cash-strapped Walton went to Baden-Baden to issue the invitation personally. Walton wrote the concerto and sent it to Tertis, who thought that Walton’s music was a little too farfetched, and turned it down.Ī friend at the BBC suggested that Walton invite German composer Paul Hindemith to play the first performance of the concerto. Although he had never conducted any of William Walton’s music, Thomas Beecham suggested that the young composer write a concerto for violist Lionel Tertis.
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